“It was the right way to do a reunion, in my opinion,” says Patton.
The result is exactly what you’d expect from five dudes in their 50s playing chaotic rippers in the key of Cro-Mags and Circle Jerks: pure joy.
Bungle’s Regan-era demo The Raging Wrath of the Easter Bunny. Since the former happens to count former Slayer drummer Dave Lombardo in its lineup, Dunn suggested a dream team rendition (complete with thrash icon Scott Ian on rhythm guitar-because why not, right?) of Mr. Here’s what happened: Bassist Trevor Dunn went to see Patton and guitarist Trey Spruance play a show with their respective bands Dead Cross and Secret Chiefs 3. Bungle dove off the deep end with their first official album in more than two decades. While many bands would rather bury their earliest recordings than revisit them, Mr. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to track The Raging Wrath of the Easter Bunny Demo Bungle record that’s actually rooted in Patton’s high school heyday… To help bring things back to that pivotal time period, we began our breakdown with a recent Mr. God.’ Doors often open when you don’t even know the doors are there…It really fucked me up in a great way.” “Another employee played it, and I was like, ‘Oh. “I remember when the first Run-DMC record came out,” says Patton. That is, until he got a job at a local record store, and went from being a jock “on the wrong side of the tracks” to the genre-jumping, avant-garde advocate he is today. One thing’s for certain, however: growing up in the small town of Eureka, California during the ‘70s and ‘80s meant he wasn’t much of a music fan at first. Patton’s just one of those people-a restless perfectionist who’d rather look at the long road ahead than marinate on or mourn the past. The Ipecac Recordings co-founder is not trying to be difficult. “It’s like, ‘Jesus, what is this? Am I in the grave already? Why such a haunting retrospective?’” Bungle and Faith No More) as well as several one-and-done stunners that sound unlike anything he’d done before. “I’ll be honest-it scares me,” he says of the wide-ranging list of releases, one that includes two very different reunions ( Mr. Red (Taylor’s Version) boasts a staggering 30 songs, including nine previously unreleased tracks – “Better Man (Taylor’s Version) (From The Vault), ” “Nothing New (Taylor’s Version) (From The Vault)” , “Babe (Taylor’s Version) (From The Vault), ” “Message in a Bottle (Taylor’s Version) (From The Vault), ” “I Bet You Think About Me (Taylor’s Version) (From The Vault)” , “Forever Winter (Taylor’s Version) (From The Vault), ” “Run (Taylor’s Version) (From The Vault)” , “The Very First Night (Taylor’s Version) (From The Vault), ” and “All Too Well (Taylor’s Version) (From The Vault)” .When Mike Patton gets on the phone to discuss his formidable discography, the singer/composer/producer asks a simple question: “Why?” To date, over 200k vinyl albums of Red (Taylor’s Version) have been sold in a little over a month. What’s more, it continues to hold the largest vinyl album sales week since tracking first began in 1991 with 114k sold, surpassing the last record that was also set by Taylor in 2021 with folklore’s sister album, evermore. The album maintains Spotify’s biggest opening day streams of all-time for a female with over 90 Million, a record previously held by Taylor herself, becoming Taylor’s fifth consecutive album to exceed 50 Million Spotify streams in 24 hours. The release saw Taylor becoming the first and only artist to simultaneously debut atop the Billboard 200 and Billboard Hot 100 chart three times, and in less than 16 months! It also sent 26 songs from its release onto the Billboard Hot 100, setting a new record for the most simultaneously charted Hot 100 entries among women. Red (Taylor’s Version) marked Taylor’s 10th album to move over 1 Million album equivalents globally during its release week, adding a brilliant new chapter to her legacy. Named the “ No.1 Greatest Pop Star of 2021” by Billboard , Taylor caused a global media storm with the release of Red (Taylor’s Version) last month. alone, with Fearless (Taylor’s Version) on track to do the same this month. Since its release, Red (Taylor’s Version) has moved over 1 Million album equivalents in the U.S. Following their historic releases, Taylor Swift’s Red (Taylor’s Version) and Fearless (Taylor’s Version) show no signs of slowing down with total consumption of each album moving over 2 Million album equivalents globally.
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